Umm Kulthum ~ "The Ascent of Cello" (Asaad Arabi)
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Kira's research focuses on music in modern Egypt through the frameworks of nationalism, modernity, and emotion/affect. Her dissertation examines the adoption and adaptation of new musical instruments in Arab music as a case study in shifting cultural politics, national narratives, and perceptions of identity in Egypt over the last century. In telling the story of musical instruments, she delves into the milieux of musical theater, radio, cinema, and alternative performance spaces in Egypt.
In addition to examining musical instruments, Kira explores the notion of music itself as an instrument of nationalism. With topics ranging from microtonal pianos to the relationship between the piano and femininity, she explores attachments to musical instruments as social objects. Kira is particularly interested in class and gender-based perceptions of spirit and sentimentality in Arab music, as embodied and shaped by musical instruments. Kira's research is historical, ethnographic, and practice-based. She approaches her work from the standpoint of a musician, performing regularly with the National Heritage Arab Music Ensemble and documenting the perspectives and techniques of fellow musicians. |