Kira Weiss's doctoral research examines the adoption of new musical instruments in Egyptian Arab music ensembles through the frameworks of nationalism, postcolonialism, modernity, and affect.
Her research focuses on debates over the use of new instruments in the traditional takht ensemble in Egypt, from the violin to the electric guitar. The changing discourse and debates over instrumentation in Arab music provide a window into broader shifts in cultural politics, national narratives, and perceptions of identity over the last century. Kira's work is historical, ethnographic, and practice-based. She approaches her work from the standpoint of a musician, performing with several Arab music ensembles in Egypt and documenting the techniques, approaches, and perspectives of fellow musicians. |